#Nanda and rajesh khanna movie skin#

We can imagine that it is this cold, aloof husband who drove her into the arms of another man, but aside from this the sequence of eventsВ pieced together by the police is neither confirmed nor denied by the characters. Uski jagah reh gaya ek thanda, khushk, bejaan Jagmohan, jise apne kaam ke siva kisiВ cheez se bhi pyaar naВ tha. Shaadi ke thodi der baad woh rajkumar gayab ho gaya. When Roy asks if she loves her husband Jagmohan, she responds, вЂњ Jab meri shaadi hone wali thi, mujhe lagta tha ki woh pariyon ke desh ka rajkumar hai. There is one moment in the film, when she talks about her husband, that offers an indication of her predicament. Her attempt to seduce Roy with her coy charm also tells the audience that something is not quite right, but no more.

The good Nanda would never dress in that manner. There are subtle, carefully placed clues to Nanda being an adulteress - the sexy way in which her chiffon saree is draped and falls off her shoulder, for instance. But Nanda accepted and was, in fact, the ideal choice to play Rekha, stealing the show playing the innocent lamb, subtly manipulating the hapless Roy who is trying to piece together what has happened in his life. It is believed that both Sadhana and Mala Sinha turned the film down as it required them to play a strongly negative role. Nanda had previously worked with the Chopras in Dhool Ka Phool (1959) and Kanoon (1960) and Yash Chopra was looking for a heroine who could not be imagined by the audience as being a murderer. Her memorable cabaret number 'Mera Naam Hai Shabnam' in Kati Patang (1970) was still a year away, but the film was a complete change of image for Nanda, who was still associated in the popular memory with a holier-than-thou image, both onВ and off screen. Bindu was yet to establish herself as a vamp. The most unusual aspect of the film, however, is that the villainous roles belong to the women - played by Nanda and Bindu - who are rather understated.

#Nanda and rajesh khanna movie skin#

He got into the skin of his character of a possible schizophrenic trying to prove his innocence and while the performance was high-pitched, it was effective nonetheless. While Nanda got top billing in the film, KhannaвЂ™s performance was praised by everybody who saw his potential.

The cinematography highlights the suspense through shadow play and there are point-of-view shots that offer insights into Roy's state of mind. Most of the action in the film takes place within the house and the drama is reminiscent of a play but the film maintains a taut pace as the audience is kept riveted by the mystery of the motive for the murders. Resigned to providing shelter to a criminal, Rekha befriends him, but when Roy finds the body of her husband Jagmohan (Rajendra Kumar) in the house, the plot thickens. Rekha tries to alert the police but to no avail. Rekha is alone at home as her husband is travelling and her house becomes an ideal place for Roy to wait out the search for him. While the doctors are determining whether the madness is real or feigned to escape capital punishment, Roy flees from police custody, landing up at the house of Rekha (Nanda). In Ittefaq, Khanna plays painter Dileep Roy who is accused of murdering his wife in a fit of madness. However, as the shooting for Ittefaq ended in a month, it was released before the other two films, breaking KhannaвЂ™s dismal run at the box office just a month before Aradhana was to make him a star overnight. At the time, Khanna hadВ completed shooting for Shakti SamantaвЂ™s Aradhana (1969) and Raj KhoslaвЂs Do Raaste (1969). The young Rajesh Khanna had already impressed the judges with his performance during the Talent Hunt and BR Chopra was in any case to make a film with him so he decided to cast Khanna. It was also decided to shoot the film within a month, so the filmmakers had to look for artistes who would have a chunk of dates available. Inspired by the play, the Chopras decided to make a film without any songs, an experiment they had previously undertaken in Kanoon (1960). A psychological thriller, the play details events that unfold over one night.